Displaying items by tag: poetry - Rosie Garland
Sunday, 10 February 2013 14:20

8.3.13 Our Voices, Manchester

Date: Friday 8th March

Start: 8.30pm

Tickets: £6.00 (Door) / £5.50 (advance)

Where: Eden bar, Canal Street, Manchester M1 3PJ

Weblink: https://www.facebook.com/events/204887849635944/

Sparkle (Manchester) is proud to support

An amazing evening of poetry, comedy and acoustic sets

Including Rosie Garland, Dominic Berry, Sarah Miller, Rod Tame - & many more.

Late disco with the musical stylings of Dr Lee

Tickets £5.50 (advanced booking) from Eden or by Paypal - see the website www.ourvoices2013.co.uk

In support of "LGBT Youth North West" and "Manchester Rape Crisis"

Published in Gig List
Tuesday, 20 November 2012 16:47

Things I Did While I Was Dead

Things I Did While I Was Dead - Flapjack Press, 2010

Click to purchase book at Flapjack Press

Reviews:

‘Peerless and passionate award-winning poetry’

Powerfully articulating themes as diverse as relationships, childhood, serial-killers and gender, this passionate and thought-provoking collection showcases Rosie's affecting and award-winning poetry.

"Candid, tender and surprising, these are poems about love and longing, myth and mirrors, the self and the other self. Things I Did While I Was Dead packs a powerful punch" - Jackie Kay MBE, poet & novelist

"One of the country's finest performance poets" - Apples and Snakes

"She is the mistress of language, whether it's making you laugh or informing your emotions. Here is a courageous artist with guile and expertise in equal measure" - Gerry Potter, poet

Rosie's book is available from the Flapjack Press shop [via PayPal or cheque payable to Flapjack Press].

Poem example -

Angry Goddess Seeks Similar

Mary! Call the babysitter and let me
take you dancing. You used to be such a mover
before all that God wore you down to milquetoast plastic.
Blow your nose, remind your hips how to shimmy.
Show them how it’s done. Stick out your bloody tongue:
I’ll lend you my spare necklace of severed hero’s heads,
a set of brand-new steak-knives.
Aren’t you sick of their prayers? Their excuses?
Start by smashing what’s left of the wedding china;
ink your foot into the earth. Twist rage
into a rope trick and climb through your halo
up to where the dark is giddy. I’m laughing
sequins to light up the dancefloor. Write
your own horoscope. Make this your auspicious day.

Published in Poetry
Thursday, 04 October 2012 08:53

Everything Must Go

Everything Must Go Everything Must Go - Holland Park Press, 2012

Read one of the poems here:

A donor’s card

"There’s nothing here that I’ll be needing.
I don’t do souvenirs. No grave-goods,
no grave. No-one will do their back in
digging me a hole; nor have the job

of unpeeling rotten carnations from my marker.
Stretch me out in a place of arc-lights. Open me up.
Reveal my inner workings, the plot twist no-one was expecting.
Let the harvesting commence. May my heart thump love

in the warm nest of another’s ribs, my liver filter
someone else’s happy anniversary, my lungs give voice
to laughter and whistling out of tune at bus stops.
Lay me to rest under the bright faces, the white coats of angels."


Being told you have cancer is a life-changing event. Especially when you are a singer and performer and the diagnosis is throat cancer. Everything Must Go is Rosie Garland’s unflinching perspective on her relationship with the illness.
‘A wry look at what life can do to you, expressed with poetic clarity’ (Bernadette Jodh)
Neither melodramatic nor tearful, it paints vivid pictures, so you can see the waiting room or the ward and feel that you’re joining her on this journey. Rosie is a true performer and this shines through in the poems, which have a dynamic and rhythmic beat, especially when things get tough. Most importantly, she shows how any disease – and cancer especially – attacks your humanity and more specifically your femininity. Yet the way she puts this into words is also uplifting.

“Who is this stranger who crept in and stole my body, and left me with a sack of sticks?”
and
”Throwing up over the consultant when he asks you how you’re feeling.
Throwing up so hard it comes out of your nose.
Acquiring the skill of throwing up accurately.”

You can read each poem on its own, but together they tell the story of a journey. This is a rather rare occurrence in poetry collections and makes Everything Must Go something special.

‘Everything Must Go’
By Rosie Garland
Published by Holland Park Press
RRP £8.99 (paperback)
ISBN 9781907320224

Reviewed by Lynsey Evans in “Book a Poet”

“Wow. ‘Everything Must Go’ is breath-taking in its laid-bare honesty. Rosie Garland’s poems tell of her battle with cancer from the moment she’s told until she receives the news its in remission. It’s not a pitiful or melodramatic narration, or even negative – Rosie expresses her experiences; her initial numbness and shock, her hair loss, her sickness, the wanting to disappear, the hospital, the pain and weakness, the treatment, the loss of her femininity – it’s heart-breaking but Rosie is so strong in her poems that’s it’s somewhat uplifting. My personal favourites from the collection are ‘Camouflage’ and ‘Dignity’. Quite stunning and bought a tear to my eye.
Highly recommended”
Source: http://www.bookapoet.co.uk/book_reviews/book_reviews/august_2012/

Published in Poetry
Page 7 of 7

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    I’m thrilled to announce that Val McDermid has selected me as one of the 10 most compelling LGBTQI+ writers working in the UK today!

    Val said: “These writers are writing for everyone. These are not words for a niche readership. These are not writings for a ghetto. These are the works of writers who have something to say that can be – and should be – heard by as many people as possible.”

    She continued: “Auden was wrong when he claimed “poetry makes nothing happen”. Words do change the world, reader by reader. They open our eyes, they provoke thought. The work of these 10 writers… will awaken in us fresh delight in the wonder of words.”

    The list was commissioned by the National Centre for Writing and British Council, supported by Arts Council England as part of a two-year programme to promote writing from the UK to an international audience. It also includes the amazing Colette Bryce, Juno Dawson, Juliet Jacques, Keith Jarrett, Kirsty Logan, Andrew McMillan, Fiona Mozley, Mary Paulson-Ellis & Luke Turner.

    The Guardian - The Word Is Out. Val McDermid selects Britain's 10 most outstanding lgbtq writers

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  • 20.6.2019 - Peterloo: massacre or riot? The John Rylands Library
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    On June 20th 2019, The John Rylands Library staged a live performance event to mark the bicentenary of the Peterloo Massacre. It was a first for the library and I was excited to take the part of Jemima Bamford – one of the thousands of men, women and children who gathered at St Peter’s Field in August 1819. I donned bonnet and shawl and created a speech, imagining how she might have spoken out against the actions of the militia, who charged into an unarmed crowd, and murdered up to 23 people.

    Then joined by 5 other actors, I took part in a public debate as we decide: was Peterloo a massacre or a riot? At the end of the debate, votes were cast, and Manchester decided overwhelmingly – massacre.

    Written on Sunday, 21 July 2019 10:32
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    The gig on Saturday 8th June 2019 at Taubchenthal, Leipzig was packed out – and what a crowd…

    A great pleasure to work with William Faith, Sarah Rose (aka Scary Lady Sarah), keyboards Phil Destefano, bassist Paul Sin & drummer extraordinaire Stevyn Grey

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    Written on Sunday, 21 July 2019 10:20
  • 'How to ask for a residency' - The John Rylands blog
    'How to ask for a residency' - The John Rylands blog
    How to ask for a residency

    Since I wrote about the Power of Asking, I’ve been heartened by how many writers have told me they’re going to ask for Writers’ Residencies too. There are plenty of questions: What do you say? What do you ask for? This blog offers a few suggestions.

    Where do you want your residency to be?
    Chip shop, bus stop, lighthouse, theatre, cemetery. The choice is yours. Think of where you’d love to write. It may be a place you pass every day on the way to work, or somewhere you’ve stumbled on by chance. Perhaps you have a connection already. For example, when I was invited to read at The John Rylands Library, I fell in love with this Mancunian gem. It sparked a train of thought…

    What do you want to do?
    I’ve a pretty simple plan: my next novel is set in The John Rylands and I’m exploring what it’s like to write ‘on site’, drawing inspiration from the spirit of the place. You’ll have your own ideas. It’s a wonderful opportunity to try something new, with time to focus on your writing in an inspiring workspace. The clearer you are about what you’d like to create and how it’s connected to the venue you’ve chosen, the better. Do your research, and put together a proposal. I’ve broken this down below.

    How long is a residency?
    Weeks, months, or a year – it’s largely up to you and the organisation. My residency is running for a calendar year; time to produce a first draft of the novel. I’ve committed to being on site for one day a week, but can’t keep away from the place…

    What can you offer?
    As well as being clear about what you want to achieve, think about what you can offer your host organisation. Ideas can include giving talks, workshops, writing tutorials or readings, and writing blogs on the progress of the residency. You might produce a poem etched in the window, or devise a grand finale performance. There’s no limit.
    If you’re unsure, ask for advice from writer friends (or friends of friends) who’ve done residencies in the past. If you don’t know any – ask the internet. Social media can be a lot more supportive than you might imagine.

    How do you get an introduction?
    You’ll need to approach your chosen organisation to find out of they’re interested in your idea. I asked writer friends for signposting, and got an introduction. People were only too pleased to help, a warm reminder that we’re in this together. There’s a community of writers out there, and we are pretty groovy people.

    What about money?
    This blog is about building your own residency from scratch, not applying for a funded opportunity. So, when the question of money and payment arose (pretty much the first question), I said no. Nowhere has money for residencies, unless it’s a regular gig like The Forestry Commission
    And, unsurprisingly, these residencies are massively oversubscribed.
    A personal tip is to source funding elsewhere. I applied to The Arts Council - Successfully.

    Then again – aim for the stars! One writer told me she’s asking for a residency at a private members’ club with buckets of money. Needless to say, she IS asking them to fund it.

    What’s the worst that can happen?
    Fear of the word no can stop us asking in the first place. Your chosen venue may say no. But they’re not going to poke you with forks. Trust me on this one. And in the words of Steve Jobs: “Most people don't get experiences because they never ask. I've never found anybody who didn't want to help me when I've asked them for help.”

    Keep going. Keep asking.

    https://rylandscollections.wordpress.com/2019/02/26/how-to-ask-for-a-residency/

    Written on Sunday, 24 March 2019 10:08
  • 'The Power of Asking' blog - The John Rylands Library
    'The Power of Asking' blog - The John Rylands Library

    As part of my Writer’s Residency at The John Rylands Library, I’m writing a series of blogs… here’s the first – The Power of Asking.

    “I’ve just been appointed the first writer-in-residence at The John Rylands Library. How did I manage this wonderful achievement? I asked.

    Sounds easy.

    It wasn’t. If you’re anything like me (and the longer I live, the more I realise I’m not alone), asking is far more difficult than it sounds.

    Let’s start at the very beginning, a very good place to start. Unless you were born with a set of silver spoons in your mouth (which is everyone reading this, right?), then you’ve worked out that opportunities don’t fall magically into your lap. You’ve had to work hard to get where you are.

    I like what Julia Cameron (author of the inspirational ‘The Artists Way’) says: “Pray to catch the bus, then run as fast as you can.” It’s a reminder to put myself into the path of opportunities. The bus does not come to the front door. I have to leave the house, and darn well run for it.

    I have to take a deep breath, and ask. So, why is it so difficult?

    Here’s my take. I grew up with a spectacularly unhelpful dictum: Ask, don’t get. Don’t ask, don’t want. I shared this with friends recently, and was shocked to discover it’s very common. I end up stuck in a bizarre Catch 22 situation, thinking that if I have to ask for something, then I don’t deserve it. Or, that I must to wait for someone else to ask me. The most I’m allowed to do is stand around looking hopeful.
    This lose-lose mentality is combined with a vicious internal critic. I call her Mavis (I’ve blogged about her here and run Anti-Mavis workshops). She never, ever says anything nice. If someone says they like my writing, Mavis jumps in and whispers ‘they’re only being nice.’ In fact, she can be neatly summed up by this great Savage Chickens cartoon (Doug Savage):

    Naturally, my internal critic undermined any notion that somewhere as amazing as The John Rylands Library would want the likes of me.

    So – standing up and asking for what I want can be pretty damn hard. I’m swamped with fears of rejection, coming over as needy, an underachiever, someone who’s failed because they need to ask.

    Luckily, this isn’t a poor-me blog.

    Years ago I decided that I was not going to let fear of rejection stop me living a life that is too darn short as it is. I take inspiration from Jia Jiang, whose TED talk about dealing with rejection is well worth 15 minutes of anyone’s time.

    So, however hard it is to ask, to put myself forward, to send that manuscript to a competition or agent – I take several deep breaths and do it. In the words of Susan Jeffers: ‘feel the fear and do it anyway’.

    And here’s the good news. The John Rylands Library is delighted to have a writer-in-residence. Correction: The John Rylands Library is delighted to have me as a writer-in-residence.

    I have told Mavis to put that in her pipe and smoke it.

    Coming next – what I asked for, and how to ask for a residency.”

    https://rylandscollections.wordpress.com/2018/12/10/the-power-of-asking/

    Written on Saturday, 02 March 2019 15:36