Here's my blog on Women Writers, Women Books. Get submitting. Then the person who loves your work might actually get to see it.
Click for Books By Women website
This month, three judges decide the winner of the 2nd Mslexia Unpublished Novel Competition. Someone is about to receive a life-changing phone call. Two years ago, I was that woman.
I never imagined I would be. Fairytales are for other folk. I'd lost faith in my writing 'getting anywhere': indeed, I'd lost faith in my ability to write. But my winning novel, The Palace of Curiosities, was published in March 2013 by HarperCollins UK, one of the world's largest publishing companies. It's still a shock.
Like many writers, I've been writing for as long as I remember (I have a cough-sweet tin filled with miniature books I wrote for my dolls). By the end of the 90s I'd had poetry and short stories published, and I'd built up a following on the performance poetry circuit. I got an idea for a novel and was buoyed up by a run of early success: commendations in two fiction competitions and interest from a small publisher.
The crowning event of 2000 was a letter from a major London literary agency. They'd seen my competition entry, were impressed, and wanted to represent me. I danced around the room! I showed them my first novel, expecting wild enthusiasm. The agent advised waiting for a mainstream deal, so I turned down the small press. Naively, I waited for lucrative deals to come flying in. They didn't.
Over the next twelve years, I wrote four-and-a-half novels. Not one was 'good enough', however hard I tried – and I tried very hard. Then I was passed to a different agent who regaled me with stories of the terrible state of the publishing industry. No-one showed interest in what I was writing.
I stopped telling friends about my novels, humiliated by rejection after rejection. I regretted turning down the small publisher. It was a tough job to keep going during those long, slow, arid years. Then I got throat cancer and everything stopped while I put my life-energy into recovery. But there's nothing like a peek at your sell-by date to give you a boot up the backside. So, after I got the all-clear I emailed my agent and said, Let's Do This Thing. He didn't even reply.
His final rejection was my lowest point. I needed to move on. I could not continue putting my life into something that was giving me no nourishment. I didn't regret those twelve years, because no writing is ever wasted. But it was time to stop banging my head against a brick wall.
In 2011 Mslexia announced their Inaugural Novel Competition. As a last-ditch-last-fling, I dusted off novels #3 and #4 and sent them in, figuring I had nothing to lose except the entry fee. Both made the shortlist of ten. I was astounded: perhaps I could write fiction, after all. And one of the judges was Sarah Waters. A writing heroine. Liked. My. Work.
Novel #4, 'The Palace of Curiosities' won outright. Within a week I had an enthusiastic new agent. Within a fortnight she sent it to fifteen UK publishers and I was at the heart of a bidding war. The result was a 2-book deal with HarperCollins UK. It was bizarre – the same words in the same order, yet a year before I couldn't get it through the door of one publisher, let alone fifteen. I spent a long time pinching myself.
To say winning the Mslexia Novel Competition boosted my confidence is a vast understatement. I've proved to myself that I can write fiction: it was just a case of finding the right people to read it. The competition was judged anonymously and that makes me particularly proud. I am not This Year's Bright Young Thing, have not attended a fashionable Creative Writing Masters program, nor do I have industry connections. I won because of the quality of the writing.
It was the best £25 I spent in my entire life. I strongly encourage writers to enter as many competitions as possible. Someone out there loves your work – but they need to see it. So get it out there. Do it now.
Yes, I still have crises of self-doubt. But I've discovered a sense of validation, a punching-the-air 'I did it!' The win - and the resulting two-book deal – have given financial choices I never thought to have. I've given up my day job to focus full-time on writing. I've received writing commissions, invitations to lecture on University courses, been nominated for and won awards, toured book festivals...
I still subscribe to Mslexia. I still get up every morning and write. I take nothing for granted. I'm not a rest-on-my-laurels gal. I've built resilience, learned humility and discovered the extent of my determination to keep going in the face of rejection and failure. And I have regained a belief in my writing.
I’m honoured – my essay ‘Don’t Fence Me In’ is included in this wonderful collection! (Nine Arches Press, ed Ian Humphreys)
‘What motivates poets in the 21st century? How do they find their voice? What themes and subject matters inspire them? How do they cope with set-backs and deal with success? What keeps them writing?
In Why I Write Poetry twenty-five contemporary poets reflect with insight, wit and wisdom on the writing life, each offering their distinctive take on what inspires and spurs them on to write poetry. Also - individual writing prompts to help you create your own new poetry.’
https://ninearchespress.com/publications/poetry-collections/why-i-write-poetry.html
A wonderful way to end a difficult year – ‘What Girls Do in the Dark’ selected by Pippa Hennessy as a Poetry Society Best Book of the Year!
https://poetrysociety.org.uk/poetry-news-best-books-of-the-year/
“Finally, Rosie Garland’s What Girls Do in the Dark (Nine Arches) – Garland is a true gothic polymath. This is reflected in her poetry, which roams through astrophysics, war zones, quantum theory, human biology, history, relationships and non-relationships, and more. The poems in What Girls Do in the Dark take this variety to extremes, yet somehow manage to bring concrete details and abstract ideas from all these areas together into a coherent, explosive, dazzling, gorgeous whole.”
– Pippa Hennessy is a bookseller at Five Leaves Bookshop, Nottingham.
Thank you Henry Normal for selecting What Girls Do in the Dark for Northern Soul’s Best Reads of 2021!
Books: Northern Soul’s Best Reads of 2021
Henry Normal, poet and writer
What Girls do in the Dark (Nine Arches Press) by Rosie Garland is my favourite poetry book of the year. Garland was a singer in the 1980s post-punk/goth band The March Violets. More recently, she’s established herself as a poet and novelist with several titles. I had the honour to read with her in Birmingham a while back, so when her new collection was released I was already interested. From the first poem I was captivated. She has a way of keeping one foot tentatively in the world we know with the other searching for a foothold in an unseen or imaginary world. I was inspired and transported by these poems in a way I’ve not experienced since first getting excited by the possibilities of poetry in my teens. I suspect it would not be good form to choose one of my poetry books for this feature but even if it was, I would choose Garland’s What Girls do in the Dark.
https://www.northernsoul.me.uk/books-northern-souls-best-reads-of-2021/
Thank you Vive le Rock magazine, for the great feature on The March Violets!
https://vivelerock.net/product/vive-le-rock-84-motorhead-girlschool-preorder/
Well, look at what happened on Record Store Day UK on July 17th 2021!
The March Violets ‘Big Soul Kiss’ - all the 1980s BBC Sessions in one place.
And PURPLE vinyl too #RSD21 #rsddrops
UPDATE – the entire pressing sold out in 24 hours. Jungle Records are releasing a CD version in 2022… plus more releases planned. Watch this space!
https://www.facebook.com/JungleRecords/