Displaying items by tag: The March Violets

Friday, 07 July 2017 10:10

Commonword Writer of the Month

Delighted to be featured as Commonword Writer of the Month, June 2017!

Thank you for the interview... it was a lot of fun talking with you.

Tell me about you, as an artist. How do you define art? What art do you make?

I come from the DIY ethic of punk: my post-punk band The March Violets set up its own record label in the 80s. When I moved to Manchester in the late 80s its industrious, can-do, will-do, stuff-you-if-you-say-I-can’t-do attitude was a good fit, right from the start.
I write. Not to provide answers. Rather, I’m exploring the questions that roll around in my head, and am wary of easy conclusions. I’m not interested in creating narrow worlds. I want to tell stories that create possibilities of non-conformity. It’s always been important, and never more so than now. Stories that break the mould and toss out the template. Stories that aren’t part of the relentless onslaught of blue for boy meets pink for girl. In the words of Emily Dickinson, ‘to tell the truth but tell it slant’. Stories where we celebrate ourselves – complete with all the marvellous, uncomfortable, colouring-outside-the-lines contradictions we encompass.

Continues…
Full text of the interview:
http://www.cultureword.org.uk/writer-of-the-month-rosie-garland/

Published in News
Wednesday, 08 February 2017 11:10

Here be Tygres - my life & fanzines

Here be Tygres – fanzines and my life underground

I’ve been thinking about the impact fanzines have made on my life – and the result is this blog! Enjoy…

For someone who really was a Teenager in Devon (the poem isn’t an exaggeration http://www.rosiegarland.com/news-and-events/item/53-i-want-to-be-a-teenager-in-devon.html ), it’s hard to overstate the impact on a fifteen-year old geek girl of a let-off-the-leash long weekend in London.

Mid 1970s. Mum sets a friend and me up in a vicarage beyond the twilight zone of the North Circular. Every morning we take two long bus journeys into central London. My mate smokes cigarettes and swills cider like any normal teenager. I haunt Dark They Were And Golden Eyed, Atlantis Bookshop and the innumerable second-hand bookshops around Soho. It’s a four-day sojourn in a tatty oasis for the starved mind and spirit. As well as the books and comics I expect, I also discover fanzines.

They flick an entirely different switch in my imagination.
I’ve been making magazines since I was a kid, but now see I’m not the only nerd in the world to spend evenings with glue and a stapler. Even more groundbreaking, the zines cover interests I’ve learnt to conceal in order to limit my bullied isolation: horror movies, vampires, sci-fi, punk, weird illustration, weirder literature. The Gothic, in short. For the first time in my life, I see myself reflected. I encounter an underground community of the imagination. I know I’ll never meet any of these fellow-weirdoes, but I am not alone.

I return to the mix of beauty and soul-death of rural Devon (miles north of the artsy bit around Totnes), grit my teeth, make it to 18 and escape. In my new home, Leeds, one of the first things I do is check out the 2nd-hand / radical bookshops (a tip ‘o the pen to Austicks & The Corner Bookshop). As well as reviews in mainstream music papers such as Sounds, Melody Maker & NME, I now feature in fanzines that interview my band The March Violets (eg Rendezvous, Attack on B-Zag, The Angels are Coming, Whippings & Apologies – best zine name ever IMHO). We even produce our own Violets zine. High production values, or handwritten, it doesn’t matter. It’s all part of the vibrant build-your-own record label / indie scene of the early 80s.

Another hiatus follows when I quit the UK to work in Sudan from 1984-1986. In 1987, semi-fanzine independents Shocking Pink & Spare Rib inspire my move to Manchester where I find a thriving LGBT scene. However, it soon becomes apparent that being a dyke AND a Goth is a step too far. I have no problem making the connections between goth, punk and post-punk, fetish, feminism, queer, vampires and weird literature but I’m damned if I can find a queer pal who’ll go to The Banshee with me. As for my penchant for leather trousers, the less said about that the better. I can come out, but not about everything. However, late 80s feminism is a different blog.

It seems I can still feel isolated in a massive city, and I learn what it’s like to be marginalised within a marginalised community. I need help, and once again find it in the fanzines of the late 80s / early 90s. One particular pleasure is Dominic Regan’s graphic Dom Zombi story in AARGH (Artists Against Rampant Government Homophobia ) which drew everything together so succinctly. Others include: For the Blood is the Life, Bats and Red Velvet, The Velvet Vampyre, Udolpho and early issues of Skin Two (produced on Tim Woodward’s kitchen table). Listings of penpals, society meetups and clubs provide me with a flesh & blood community, not simply one of the imagination. All of it pre-internet, off the map, under the radar. I even meet a bisexual Goth.

Jump cut to the present day.
I’m excited and encouraged by the rebirth / renaissance of Xeroxed, glue-and-collage, passed from hand-to-hand zines. There’s a fresh new family of folk learning the liberating impact of turning off search engines so your keystrokes can’t be tracked in order to tailor more bloody advertising into your feed. To quote Keith Lowell Jensen: “What Orwell failed to predict is that we'd buy the cameras ourselves, and that our biggest fear would be that nobody was watching” https://twitter.com/keithlowell/status/347741181997879297

Only last year I met a woman in Athens, Georgia, who knew my work because she’d come across Pink Bomb, a CD fanzine produced in Manchester by the radiant Ste McCabe . Our words don’t need wifi to span the globe. And if you can’t hold something in your hands, it doesn’t really exist.

Fanzines are still there when the battery runs out on your phone. When some yellow-haired dictator decides you can’t Google ‘that’ article any more. Fanzines can’t be deleted at the swipe of a button. So - Buy that ancient typewriter. Get stapling.

© Rosie Garland 2017‏

Published in News
Sunday, 20 November 2016 10:57

18.11.2016 - Interview in Ink Pantry

Many thanks to Deborah Edgeley at Ink Pantry for kindly interviewing me about writing and researching my novels, singing in The March Violets, my passion for great book covers… And how I’d change the world! No pressure, eh?

You can read the text of the interview here –
http://www.inkpantry.com/inky-interview-special-rosie-garland/

Published in News
Thursday, 17 March 2016 15:12

March 2016 - Jed Phoenix blog feature!

I'm guest feature on the blog of inspirational designer Jed Phoenix!
You can read the full text below, or click on the link.

Click link to visit Jed Phoenix blog page


Monday, 14 March 2016
Jed Phoenix
Rosie Garland is a creative talent and wearer of a JPoL tie. She's a singer, poet, performer and writer who has experience of the rock n roll lifestyle and been on Radio 4's Women's Hour. She has won awards and secured book deals. But it hasn't been all plain sailing. There have been many bumps along the way.This blog post, will go into more detail about:
· Rosie Garland, singer, writer and performer
· Rosie Garland in the face of adversity
· What's next for Rosie Garland


Rosie Garland, singer, writer and performer
It is hard to deny that Rosie Garland embodies elements of the dark side in her creative endeavours. To quote from her Facebook profile "I've always written about outsiders; whoever they might be. I'm interested in character who won't (or can't) squeeze into the one-size-fits-all template they have been provided, and the friction that occurs when they try. I know that comes from always being an outsider myself. I celebrate it, proud in the face of the overwhelming sludge of "normality"". During a talk at the British Library on the subject of "Goth: The scene that wouldn't die", Rosie states that being "outside" suggests that there's a mainstream "inside" that people want to be in. Rosie, perhaps drawing from her associations with queer culture, asserts that she's just different. She doesn't even care whether people think she's goth or not. She cares more about whether her audience like her lyrics, poetry or novels. Despite current fashion trends that wish to emulate the glamour and style of the scene, goths are often sneered at. Rosie quotes from Tank Girl - The Oddessy, Issue 3, during a talk at the British Library "The fact that I've paid absolutely no attention to what goths wear is an even bigger insult to them and their turdy culture" - Jamie Hewlett.
Rosie Garland was born to a teenage runaway, so perhaps being an outsider is in her very DNA. She went to Leeds University in the early 1980s and came out both as a post graduate and as a singer in post-punk/gothic rock band The March Violets, with whom she's toured the US, UK and Europe. Her alter-ego Rosie Lugosi, the Vampire Queen, appeared on a multitude of stages as "A truly unique performer and one that straddles the literature, SM and queercore scenes with ease" - Designer Magazine. As a cabaret performer, Rosie Lugosi was able to bring her poems to life and be Queer for Britain. In the late 1980s, Rosie was inspired by the Roszika Parker book "The Subversive Stitch: Embroidery and the Making of the Feminine", which interwove the history of embroidery and the history of women. With an enthusiastic group of Manchester-based women, Rosie formed a group called Spinsters. Together they wrote a show called Tailormaids, looking at the history of unmarried women and how that tied in to the textile industry. Rosie and her fellow Spinsters pooled a range of talents: film-makers, theatre technicians, visual artists, singers, performers, researchers, musicians, fundraisers and writers. The sum was, as Rosie states, definitely greater than the parts, securing Arts Council funding to tour the show around art galleries and performance venues.
In 2013 Rosie Garland signed a book deal with Harper Collins and The Palace of Curiosities was published. A series of readings and book signings up and down the country were followed by the release of her second novel Vixen in 2014. But, like many subversive creative talents, Rosie Garland's success has been hard won.


Rosie Garland in the face of adversity

Rosie left The March Violets in the mid 1980s as the band, riding on a wave of good reviews and indie chart success, introduced more pop-sounding members. Rosie ploughed her energy into teaching for a couple of years at a sixth form college in Sudan - a far cry from the ever-increasing commercialisation of the band.
Between touring with Spinsters/Subversive Stitch Exhibition in the 1990s, establishing Club Lash in Manchester and continuing to perform as Rosie Lugosi, Ms Garland worked on her writing craft. She had an agent, submitted short stories and poetry to competitions, and offered up her take on the life and adventures of the outsider in the hope that they'd be published and promoted to as wide an audience as possible. For over a decade, Rosie Garland's agent told her that her style, her subject matter, her background wasn't flavour of the month; that there weren't any publishers willing to take a punt on her. Yet she continued to write and perform, just as Van Gogh continued to paint before folk other than his brother took a punt on him by buying his paintings. To be creative even though you face rejection after rejection takes passion, discipline and commitment . And those are traits that Rosie Garland seems to have in spades.
In 2007, Rosie Garland teamed up with Simon Denbigh and Tom Ashton again for a one-off gig in Leeds with The March Violets. The reception to the gig was fabulous and the band were invited to play at a number of venues and festivals around the UK and Europe. Plans, however, were interrupted by the news Rosie received at the beginning of 2009. She had throat cancer. For some, being a singer with throat cancer would have tipped them over the edge. But Rosie channelled her emotions into her solace - poetry. The effects that this consuming disease had on Rosie's femininity and connection to others is expressed in Dignity:
"Tolerating strangers who whisper 'You're so brave', And resisting the urge to deck them. Going bald. Watching your tits shrivel to the size of peanuts, And your arse go as flat as a burst paper bag. Remaining polite When the close friend disappears off the face of the earth When you tell him your diagnosis.....
...Standing up And saying 'I've got cancer' Without need, Without self pity. Standing up And saying 'I'm clear'"
Rosie had to learn how to sing again. And she did just that, taking to the stage at the O2 Academy in London for The March Violets Reunion gig in November 2010.


What's next for Rosie Garland

Rosie continues to perform with The March Violets. Following a Pledge Music campaign, they spent a month touring the East Coast of America at the end of 2015. The Pledge Music campaign was a roaring success, with the project fully backed within two weeks. 10% of the money raised after the goal was met went to Macmillan Cancer Support. Their Mortality album is due out this year.
Rosie's reading and speaking gigs see her travelling the UK. Earlier this month, she was guest lecturer at the University of Surrey as part of the "Cultures in Contact" seminar series. Coming up, she's on the panel of a discussion about "A Portfolio Career: When One Genre Isn't Enough" at the Surrey New Writers Festival on May 14th 2016. Rosie will also be a special guest at the Chorlton Arts Festival in Machester on May 24th. Just around the corner, however, Rosie will be returning to Bar Wotever at London's iconic Royal Vauxhall Tavern on Tuesday 15th March to help celebrate everything Goth, Bi and Fabulous!
Rosie Garland truly is a creative force to be reckoned with. She is warm-hearted and humble, talented and deep. If you haven't already read The Palace of Curiosities, Vixen, Everything Must Go, Things I Did While I Was Dead or any of Rosie Garland's other books, then do. Her writing captivates you and takes you on a journey into a visual and a visceral world. She also makes amazingly tasty plum jam...

Published in News
Tuesday, 23 February 2016 19:14

February 2016 - named 'Literary Hero' in The Skinny

Stirred Poetry's literary heroes

I've been named a Literary Hero by Stirred Poetry in the February edition of The Skinny!

"Rosie Garland commands the stage fully whether she is performing poetry, playing with her punk band March Violets or hosting cabaret. I learned stage craft watching her perform. Her novels, Palace of Curiosities (2013) and Vixen (2015), have been highly praised. She is particularly inspiring when she talks about the long, hard slog of writing, getting published, and managing to shut up her inner critic. We have been honoured to have her perform for us." [Anna Percy]

Read the whole article here -

The Skinny - Feb 2016

Published in News

Pledgemusic with the March Violets: Mortality Tour and Album

Yes – The March Violets have just returned from our mammoth tour of the USA and we have a new Pledge! We reached 100% in under a fortnight, thanks to our amazing fans... let's make it twice that.
Info follows...

"One of the influential bands in the darkwave genre, the March Violets have an album coming out. And this is possible because of your help. There are many things coming up from this beautiful band. There's the Mortality tour(which happens to be the name of the upcoming album) and also goodies that they are giving out when you make your pledge.
October is a good month for this type of music. The Goth in me loves it. And I am sure the children of darkness out there are going to like the new album, Mortality. Here's the message from the band:
The 'Mortality Tour and Album' is the new Pledge from the March Violets. Throughout October pledgers get to experience a month of touring around the East Coast, with Backstage Action, Road Movie high jinx and other Purple nonsense. The Violets will be playing classic tracks live, then recording them in November in Chicago. With exclusive daily footage and a virtual Access Pass pledgers will be able to participate in the highs and lows of the entire Tour and Studio Saga. The involvement continues right up to Xmas, with an Advent Calendar with interesting Violet goodies behind each door, culminating in the Album download on Xmas day!
Physical 'exclusives', that will be shipped after Xmas, include a Double CD, a Vinyl LP and a double DVD with a full concert, a road movie, and footage from the entire life of the band, right back to the early Eighties. It's a new way of touring that DOES come to your home town, social media at its rocking best. Support the Violets, Pledge Purple! Many Thanks."


The link is here: Click for The March Violets Pledge

 Photo taken by the amazing Bobby Talamine, with many thanks.

Published in News

Thank you Jordan Reyne! I met up with this amazing musician & lyricist at Wave Gotik Treffen 2015. It was great to chat with such an inspiring person.
She interviewed me backstage for her podcast Tour Tales...
You can listen here.

Click link to go to Jordan Reyne's Soundcloud page & listen to the podcast

Check out her fantastic work too...

Click to visit Jordan Reyne's website

 

Published in News
Monday, 11 May 2015 16:01

6.3.2015 - Interview in Network Buzz #3

Really delighted to be interviewed in Issue 3 of Network Buzz!
Here's the link:
Click to read Network Buzz online

or you can read the full interview here...

Thomas Anderson Inclusive Networks interview

2015 has got off to a great start thank you. I'm now working for myself which is wonderful. Hope you're well and excited about the paperback release of Vixen.

1 - Your second novel Vixen is about to be released on paperback. What's the book about?

The year is 1349. In an isolated village deep in a forest in the south west of England, the arrival of a mysterious young woman – the Vixen - turns the lives of the villagers upside down.
I am fascinated by times when the world was on the cusp of massive change. 1349 was the year the Black Death struck England. Its shadow could be seen advancing across Europe. I wanted to capture that sense of a deadly, inescapable force heading your way.

2 - Are isolation and loneliness things that you personally fear?

Not any more.
But I've had my share. I spent my teenage years in Devon, which was not a good place to be in any way 'different'. It wasn't just about sexuality – anything that wasn't marriage and 2.4 children (preferably with one on its way by the age of 16) was regarded as deeply suspect. I yearned for escape and counted the days till I was 18 and could escape.

3 - Your debut novel 'The Palace of Curiosities' was very well received and is adored by many people. What were you feeling ahead of the release of Vixen last year?

Fear!
As my follow-up novel, it felt like the 'difficult second album' on occasion. Vixen is a different book to 'The Palace of Curiosities' and not just in the 500-year time shift.
I have a nasty inner critic – Mavis - who never ever says anything nice. She kept whispering that the reaction would be a sneering 'Ok, so people liked 'The Palace of Curiosities'. They aren't going to like Vixen.'
Luckily, that hasn't been the case.
I've blogged about Mavis here: http://www.rosiegarland.com/news-and-events/item/177-being-a-writer-dealing-with-the-internal-censor.html

4 - How did you feel when the book began receiving lots of great feedback and was dubbed 'Best for Historical Fiction fans' in Grazia's Summer reading list?

I've been astounded by the great response! Here's a snippet from the amazing review in Diva: 'Poetic, surprising and ultimately deeply moving, Vixen will have you hooked faster than it takes to drink a jug of ale and – unlike ale – it will stay with you long after you've reached the final page.'

5 - How important are magazine and online reviews to you?

Very and not at all, if that makes any sense.
Positive reviews are wonderful; I'd be lying if I said they weren't. I'm extremely lucky to have had nothing but - so far. I won't let them go to my head. I'd hate to become one of those people who are so puffed up about themselves they believe their own publicity and are a complete nightmare to be around. After all, a review is a personal opinion and nothing more.

6 - Do you think your books would adapt well to the small, or big, screen and how would you react if this idea was brought to you?

I would be delighted! Seriously, I'd do my massively uncool happy dance.

7 - You're a big advocate of local book stores. Why do you think it's so important to shop local and support the independent book stores?

I don't know about anyone else, but I think it matters when yet another indie or queer-friendly café / club / shop closes down and is replaced with a faceless retail chain. Who wants to live in a neighbourhood where the only option is Starbucks?
Oh yes - and indie stores pay their taxes and treat their staff like human beings. Next!

8 - We're seeing many local libraries close due to cuts. How important do you think public libraries are and did they play a part in your own dreams to be a writer?
It frightens me when folk say we don't need libraries 'because everything's online and free'. Er – no it isn't. Libraries are far more than a repository of books. A positive childhood memory is the Saturday trip to the local library. I explored new worlds, learned new things, thought new thoughts. It was the beginning of a love affair that's still going strong. It was National Libraries Day recently. Here's my love letter:
http://www.rosiegarland.com/news-and-events/item/649-20112014-a-passion-for-libraries.html

9 - You take part in lots of literary events and book tours. Are these something you enjoy (and why) and are these important to authors?
I love doing readings. Maybe it's connected to happy memories of being read to as a kid. Before I could read, I was hooked by the magic of words.
Sure, I understand not every writer enjoys live readings, but I get a buzz when I can communicate and share my stories. If that encourages and enables others to tell theirs – that's even better. We need to get our work out there, even when the mainstream world tells us it is uninteresting, weird, or just plain wrong. Especially when the mainstream world tells us that.

10 - Did you have any literary role models growing up? Were you encouraged to follow your dreams at school and at home?

I had great teachers who encouraged me to write. I produced my first novel aged nine: a science fiction extravaganza featuring rockets and sharks. With pictures. All of that was fine till I started exploring the more macabre / queerer side of life in my teens. The encouragement evaporated and was replaced by disapproval.
Luckily, I was a stubborn brat and kept going.

11 - It's International Womens Day on 8th March. Is there a female in your life who has inspired you the most in your career and/or personal life?

That is such a difficult question. Impossible to answer!
I guess the first of many inspirational women was my grandmother. She always had time to read stories and listen to mine. We shared a love of splashing in puddles and climbing trees. She accepted who I was and didn't force me into being something I wasn't.

12 - You're also the lead vocalist of The March Violets. We'd love to know more about the group and what you have planned music wise for 2015?

Singing is one of life's particular pleasures. The March Violets is unusual in having a male / female duo fronting the band – Si Denbigh and myself. We reformed in 2007, thinking we'd do a one-off reunion gig. But hundreds of fans turned up and made it very clear they weren't going to let us go away again.
This year we're playing Europe and the USA. In 2014 we toured the West Coast from Seattle to LA. It was incredible - we had such a wonderful welcome. The plan is to head to the East Coast in 2015 with the new album, 'Made Glorious'. Keep an eye on the website!
http://www.marchviolets.com/

13 - Novel number 3. When can we expect this? Will you be exploring any new genres or themes?

I'm working on it – slowly! I'm at that early stage where it's a tangled heap of words. I go through phases of thinking it's complete rubbish. Luckily I have an encouraging editor at HarperCollins.
It's set just before WW1 and revolves around family secrets. Once again, I've been drawn to a period of upheaval; specifically that moment shortly before enormous changes take place. I view those times rather like an indrawn breath, held and not released.

14 - What's next for you?

I'm busy on a number of projects, which suits me fine. I'd get bored if I was only doing one thing. The trick is to get that number right...
The book tour for the paperback release of 'Vixen' is ongoing through March and April. There's the new novel to get on with, plus The March Violets tour mentioned above. If that wasn't enough, I'm treading the boards as Rosie Lugosi the Vampire Queen. Plus I'm writing new poetry, in particular, a sequence of narrative poems inspired by the 2 years I worked as a teacher in Darfur, Sudan. Truly a stranger in a strange land.
So - 2015 is already busy. I love the fascinating projects that come into my life! One that's very exciting is being invited to co-curate the John Rylands Library Literary Gothic exhibition in summer 2015. And I am headlining Polari Literary Salon in June – wow!

Published in News

As if it wasn't exciting enough to be invited to speak at The British Library on its Gothic panel on 9th November...

 

I was invited to talk on the Steve Lamacq show on BBC Radio 6, live from the Library! Click the link to hear me ramble on about the fantastic Gothic- themed exhibition, writing gothic and singing in The March Violets.

http://www.bbc.co.uk/programmes/b04pgz3g

 

 

Published in News
The March Violets are doing a little West Coast Tour this June!

First up: June 21 - Seattle – El Corazon.

June 22 - Portland - The Hive @ Star Theater.

June 25 - San Francisco - Death Guild @ DNA Lounge.

June 27 - Vegas - Scarlet @ LVCS.

June 28 - San Diego @ The Soda Bar.

June 29 - Los Angeles - Part Time Punks @ The Echo

Please see the Gig List page for full details!

Published in News

News and Events

  • 'Because goddess is never enough' - a new film-poem!
    'Because goddess is never enough' - a new film-poem!
    ‘Because goddess is never enough’ – revealing the new film poem, made in collaboration with filmmaker Jane Glennie.

    Absolutely thrilled to announce this new film poem – created over 2021 in collaboration with amazing filmaker Jane Glennie. Inspired by the life of dancer and choreographer Tilly Losch, the film explores notions of erasure, strategies for persistence and the centrality of creative expression for the life of a woman in perpetual motion.

    We are delighted with the reception the film is receiving! A list of film festivals is below.
    AND there’s a ‘Book of the Film’!

    'Because Goddess is Never Enough (Peculiarity Press, 2022)
    Available from Blackwell’s (Waterstones, Amazon, etc)
    https://blackwells.co.uk/bookshop/product/Because-Goddess-Is-Never-Enough-by-Rosie-Garland-Jane-Glennie/9781912384167

    Flick through the book here –
    https://photos.app.goo.gl/zzDN5KKbUccqPZsQ7

    Film festivals & events 2022 that have selected & featured 'Because Goddess is Never Enough'

    Moving Poems May 2022
    'Because Goddess is Never Enough' – selected as one of ‘the best poetry films on the web’
    https://movingpoems.com/2022/05/because-goddess-is-never-enough-by-rosie-garland/

    Fringe Arts Bath Festival 27 May - 12 June 2022
    Bath’s annual free festival of visual arts
    'Because Goddess is Never Enough' – selected for WORDPLAY programme
    https://www.fringeartsbath.co.uk/festival-2022
    https://www.fringeartsbath.co.uk/wordplay

    Tranås at the Fringe International Arts Festival 2-9 July in Tranås, Sweden
    'Because Goddess is Never Enough' – selected for the LIVING FEMININITY programme.
    https://www.atthefringe.org/film-program-2022

    Women X Film Festival 2-4 September in Darlington, UK.
    'Because Goddess is Never Enough' - Honourable Mention
    https://riannepictures.com/womenx

    Women Over 50 Film Festival
    'Because Goddess is Never Enough' – nominated for Best Experimental film, selected for the AT MY CORE programme
    https://wofff22.eventive.org/films/62e15892943cb70054a692d9
    https://wofff.co.uk/2022/08/wofff22-films-announced-find-out-more-about-our-fantastic-official-selections/

    Athens 10th International Video Poetry Festival 28 September - 1 October 2022
    'Because Goddess is Never Enough' – screened 29th September within 'Feminist Struggles' programme
    https://theinstitute.info/?p=5226

    HOME Manchester, Filmed Up 28th September 2022
    ‘Because Goddess is Never Enough’ selected for Filmed Up programme.

    https://homemcr.org/event/filmed-up-sep-2022/

    The Feminist Film Festival, Bucharest, 13-16 October 2022
    'Because Goddess is Never Enough' – Official Selection
    https://filmfreeway.com/TheFeministFilmFestival

    Sunderland Shorts Film Festival October 17th, 2022
    'Because Goddess is Never Enough' – selected for the Art & Experimental Films programme
    https://filmfreeway.com/SunderlandShorts

    Zebra Poetry Film Festival, Berlin 3-6 November 2022
    'Because Goddess is Never Enough'.
    We are very proud to be selected for Zebra, the oldest and largest international festival of poetry films.
    https://filmfreeway.com/ZEBRAPoetryFilmFestival
    https://www.haus-fuer-poesie.org/en/zebra-poetry-film-festival/home-zebra-poetry-film-festival/

    Still Voices Film Festival, Ireland 9-13 November 2022
    'Because Goddess is Never Enough' – Official selection Experimental
    https://stillvoicesfilmfestival.com/

    Written on Thursday, 29 September 2022 09:41
  • Sept 2022 - The March Violets announce 5 CD boxset release!
    Sept 2022 - The March Violets announce 5 CD boxset release!
    Announcing the Novemeber 18th 2022 release of 'The Palace of Infinite Darkness'

    It's 40 years since The March Violets released our 1st 7" EP (seriously, FORTY).
    So it’s a great time to announce that this tasty 5 CD Box Set is now up for pre order from Jungle Records!
    The Palace of Infinite Darkness - In addition to all the singles plus all the extended versions, the box has six excellent BBC sessions, 23 tracks with 9 unreleased songs (also reissued as Big Soul Kiss 2LP yellow vinyl after a sold-out RSD release). Then there are two whole discs of unreleased demo sessions – one from the early period 1982-84 and another from 1985-87. Founder-member Rosie Garland recounts the band’s story in a 44-page booklet.
    Check out the link:
    https://smarturl.it/MV5CDbox

    Written on Thursday, 22 September 2022 12:19
  • June 2022 - Queer Poetry for The Arvon Foundation
    June 2022 - Queer Poetry for The Arvon Foundation
    Residential Writing Week: Queer Poetry

    A wonderful experience – for the first time, I co-tutored a residential writing week for the prestigious Arvon Foundation! It was such a thrill to work alongside inspiring co-tutor Keith Jarrett and electrifying guest reader Jay Bernard.
    A very special week. I won’t forget it.

    Monday June 27th - Saturday July 2nd 2022
    Totleigh Barton, Sheepwash, Beaworthy Devon
    https://www.arvon.org/writing-courses/courses-retreats/residential-writing-week-queer-poetry/

    Written on Wednesday, 21 September 2022 15:16
  • June 2022 - 100 Queer Poems anthology
    June 2022 - 100 Queer Poems anthology

    Thrilled and honoured to have my poem ‘Now that you are not-you’ featured in this groundbreaking new anthology!

    ‘Mary Jean Chan and Andrew McMillan's luminous anthology, 100 Queer Poems, is a celebration of thrilling contemporary voices and visionary poets of the past. Featuring Elizabeth Bishop, Langston Hughes, Ocean Vuong, Carol Ann Duffy, Kae Tempest and many more.

    Encompassing both the flowering of queer poetry over the past few decades and the poets who came before and broke new ground, 100 Queer Poems presents an electrifying range of writing from the twentieth century to the present day.’

    https://www.penguin.co.uk/books/445204/100-queer-poems-by-chan-edited-by-andrew-mcmillan-and-mary-jean/9781529115321

    Written on Wednesday, 21 September 2022 15:14
  • Jan 2022 - 'Why I Write Poetry' (Nine Arches Press)
    Jan 2022 - 'Why I Write Poetry' (Nine Arches Press)
    ‘Why I Write Poetry’

    I’m honoured – my essay ‘Don’t Fence Me In’ is included in this wonderful collection! (Nine Arches Press, ed Ian Humphreys)

    ‘What motivates poets in the 21st century? How do they find their voice? What themes and subject matters inspire them? How do they cope with set-backs and deal with success? What keeps them writing?

    In Why I Write Poetry twenty-five contemporary poets reflect with insight, wit and wisdom on the writing life, each offering their distinctive take on what inspires and spurs them on to write poetry. Also - individual writing prompts to help you create your own new poetry.’

    https://ninearchespress.com/publications/poetry-collections/why-i-write-poetry.html

    Written on Sunday, 23 January 2022 10:00